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What three major changes have happened to commentary: and what are the impacts of these on individuals, organisations, and industries?  

Compared to the traditional media of old, three things distinguish the financial services commentary of today: speed, simplicity, and emotion. 

And with good reason; audience expectations of real-time coverage mean less time to research and verify, in addition to shorter news cycles. Technology means wider, faster reach of commentary – as well as an almost equal platform for any commentator, expert or amateur. It also means higher audience/public engagement, which in turn exaggerates response.  

Fierce competition for web traffic increases the pressure towards sensationalism and away from balanced reporting, while shrinking resources mean wider beats and more demands on reporters’ time – decreasing their specialisation or subject expertise.  

The Banking and Financial Services Royal Commission: a case study in new media 

We analysed commentary around the Royal Banking Commission closely last year (you can read our insights here), and end to end it was a masterclass in the new normal when it comes to commentary. 

We saw interesting patterns that demonstrate, albeit in a more exaggerated way, the changes we’ve seen in the wider environment. Commentary was:

1. Immediate - Commentators were often covering proceedings minute-by-minute, and then going away and filing a story, or developing a take, mere hours after hearings stopped for the day.   

2. Simpler Commentators dealt, not just literally in black and white, but very much in almost primitive blunt outlines. Reductiveness was understandable: the hearings were incredibly complex in parts. Many in the institutions themselves didn’t understand the whole picture of their businesses, so how could any non-specialist outsider covering proceedings – or their audience? 

But in addition to the complexity of the subject, the need to publish in real-time or soon after demanded simplification. 

3. Emotive The complexity of the story – and the dryness of the subject matter when it came to the details of policy, process, terms and conditions, or procedural nuance – meant that commentators had to find ways to engage wide audiences in relatively niche industry issues.  

The result of these drivers? Commentators leveraged archetypal figures and narratives to bring apparent “clarity” and emotional weight to the stories, and quickly.   

They used binary language – dark and light, dirty and clean, pure and corrupt. They identified stock characters – villains, heroes, and victims. They used formulaic narrative trajectories, with inflection moments of rising tension and conflict, realisation and climax, catharsis and resolution (whether through criminal charges or the already-accomplished public demolition of reputations and credibility). Using these pre-existing patterns that audiences could immediately recognise was easier, clearer, and more exciting. The algorithms of stories were an explanatory lens for a tangle of detail. 

Empathy word cloudShadow word cloud

The Royal Commission lawyers used many of the same tactics for the same reasons – often driving and framing the resulting coverage. Lawyers, like the best politicians, know how to use the power of story. In fact, the ‘baby-faced assassin’ QC Michael Hodge wrote Clinton: The Musical, years before his Commission performance.  

Self-interested as it sounds, our analysis also showed a difference in reputational outcomes between those brands who ‘left it to the lawyers’ to run all aspects of their performance, and those who applied more specialist narrative expertise (such as PR advice).  

But the use of familiar narrative patterns also meant that for those involved it was a zero-sum game  you were a hero warrior like Rowena Orr, or you were a villain; you were either creeping around in the shadows or you were shining the torch. There were no grey areas left on the map. 

This, in turn, predetermined the ending for many of the characters  because we all know what happens to the wolf after he bullies the pigs, or to the evil, greedy banker who steals from the poor, the weak, and the dead.   

Why does this matter? 

This meant there was very little, if any, time to influence or stop that narrative for those caught up in it. Because the patterns are so ingrained and intuitive to us, they spread very quickly and are accepted very easily. Those who tried to quibble in the detail, or to pull back from the emotional sphere to logical argument, didn’t gain much traction. Nor is this restricted to the Banking Royal Commission – we can all think of a dozen recent headlines where the apparent story outpaced the truth. 

The media and commentary environment – in which reputations are made and broken – has changed dramatically (no pun intended). And the way that reputations are affected and changed has consequently been transformed. 

An accelerated and exaggerated commentator landscape (the combined world of journalists, influencers, thought leaders, and public response) has increased reputational volatility and velocity in financial services. That means faster, larger peaks and troughs in reputation than ever before.  

This applies to personal reputation, brand reputation, and industry reputation alike – and all are interconnected. During the Hayne Commission we saw how an individual whose reputation suffers (say if their conduct is called into question) can quickly be cut as dead weight, in an attempt to insulate corporate reputation. Similarly, if sufficient individuals’ and brands’ reputations drop far enough, the cumulative effect is serious and long term for them and their industry. 

Your leverage power to influence the impact of an event on your reputation, like any lever, decreases the closer you get to the fulcrum. Your greatest window of opportunity is a long time before the crux of the event – at which point your power to do anything meaningful exponentially shrinks. And with an accelerated drop, comes an even smaller window in which to successfully influence the story.  

What’s the moral of this story? Some tell the tale of the ant and the grasshopper or the wild boar and the fox, but however you’ve heard it we all know the ending for preparedness and lack thereof. If you don’t have a strategy that accounts for the new environment and robust reputational risk frameworks in place already, tomorrow may be too late.    


For an overview of the Australian media landscape, download our snapshot: 
The three characteristics of today’s financial services media environment you can’t afford to ignore.



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